A story of family secrets and severed relationships… when families reunite, delusions are punctured, lies exposed, and feelings fractured.
As I walked into the Waterworks theater on the evening of Thursday, October 12, I was greeted by enthusiastic cast members who welcomed me and made me feel like my presence was somehow an important part of the upcoming experience.
Adrift in New York (or Her First False Step) by Addison Augler is directed by Granville Scott and assistant directed by Melissa Meinhard. Their direction, combined with the stage management of Michelle Fenton and Geraldine Mongold, sets up a hilarious and entertaining story with twists and turns galore.
Waterworks Production of Same Time Next Year (directed by Billy Tucker) is a sentimental dance thru time bursting with a genuine affection that you can feel the minute you step into the theater.
‘The Importance of Being Earnest’ by Oscar Wilde has been entertaining audiences since it premiered in London in 1895. Friday’s opening night at Waterworks continued that long tradition. Wilde’s satire on marriage, wealth, and class borders on the farcical, and this cast performs it for belly laughs.
Sometimes it takes an absence to remind us just how special homegrown talent can be. That’s especially true for this year’s Panto, which has been one of the Waterworks Players’ most popular productions for almost 15 years.
It’s time to celebrate as the Waterworks Players return to enhance Farmville’s arts scene with its first live and in-person production since the pandemonium of the Covid pandemic.
“Each game of chess / Means there’s one less / Variation left to be played; // Each day got through / Means one or two / Less mistakes remain to be made.” These opening lines from “Prologue”/”The Story of Chess” point us to the inevitable—but not predictable—conclusion of Chess, the 1988 American version of Tim Rice, Benny […]