Waterworks Players
News
Auditions for “Puss in Boots”
The Waterworks Players’ next production is Lorraine Mason’s “Puss in Boots.”
2023
A Season of Firsts
“Godspell,” which opens October 13th, will be the first Waterworks musical in three years. It will be a first for director Kolby Logue as well.
2023
Waterworks Announces Its New Season
Something old, something new, something brought back: The Waterworks Players’ 2023-24 season will feature some of each of these.
Auditions for “Godspell”
Auditions will be held at the Waterworks Theatre on August 6th & 7th at 7 p.m. Please prepare 32 bars from a musical of your choice. And prepare a one-minute upbeat monologue.
A Review of “Adrift in New York”
Adrift in New York (or Her First False Step) by Addison Augler is directed by Granville Scott and assistant directed by Melissa Meinhard. Their direction, combined with the stage management of Michelle Fenton and Geraldine Mongold, sets up a hilarious and entertaining story with twists and turns galore.
2023
“Have we changed much?” “Of course.”
Waterworks Production of Same Time Next Year (directed by Billy Tucker) is a sentimental dance thru time bursting with a genuine affection that you can feel the minute you step into the theater.
2023
A Man for all Theatrical Seasons
Same Time, Next Year, The Waterworks Players’ current production opening this week, is a first-time directorial experience for Billy Tucker. But it’s far from his first time being involved with Waterworks.
2022
Auditions for “The Little Mermaid”
The Waterworks Players’ next production is Andrew O’Leary’s “The Little Mermaid.”
2022
Auditions for Twelfth Night
Jordan Whiley will be directing our production of Shakespeare’s Twelfth Night, with show dates in mid-October. Auditions are August 28 and 29.
2022
Waterworks Players Announces Cast for The Musical Comedy Murders of 1940
The library of a grand Chappaqua house, just north of New York City, sets the stage for Waterworks Players summer production of John Bishop’s The Music Comedy Murders of 1940.
This project is supported, in part, by the Virginia Commission for the Arts, which receives support from the Virginia General Assembly and the National Endowment for the Arts, a federal agency.
This project is supported in part by the National Endowment for the Arts.
